jazz$41405$ - définition. Qu'est-ce que jazz$41405$
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Qu'est-ce (qui) est jazz$41405$ - définition

SINGING TECHNIQUE
Vocal Jazz; Jazz singing; Jazz vocalist; Jazz vocal; Jazz vocalists

Ethno jazz         
MUSIC GENRE
Ethno-jazz; World jazz; World Jazz
Ethno jazz, also known as world jazz, is a subgenre of jazz and world music, developed internationally in the 1950s and '60s and broadly characterized by a combination of traditional jazz and non-Western musical elements. Though occasionally equaled to or considered the successor of world music, an independent meaning of ethno jazz emerged around 1990 through the commercial success of ethnic music via globalization, which especially observed a Western focus on Asian musical interpretations.
Trad jazz         
MUSIC GENRE - A FORM OF JAZZ IN BRITAIN IN THE 1950S AND 1960S
Traditional jazz; Trad Jazz; Traditional Jazz; Trad jazz revival
Trad jazz, short for "traditional jazz", was a form of jazz in Britain in the 1950s and 1960s, played by musicians such as Chris Barber, Acker Bilk, Kenny Ball, Ken Colyer and Monty Sunshine, based on a revival of New Orleans Dixieland jazz, on trumpet, trombone, clarinet, banjo, double bass, saxophone, Hammond organ, pipe organ, piano, electric bass, electric guitar and drums, with a populist repertoire which also included jazz versions of pop songs and nursery rhymes.
Jazz (word)         
WORD (AS OPPOSED TO MUSICAL FORM)
Jazz (word origin); Origin of the word jazz; Jazz word
The origin of the word jazz is one of the most sought-after word origins in modern American English. Interest in the word – the American Dialect Society named it the Word of the Twentieth Century in 2000 – has resulted in considerable research and the linguistic history is well documented.

Wikipédia

Vocal jazz

Vocal jazz or jazz singing is an approach to jazz using the voice.

Vocal jazz emerged in the early twentieth century, with its roots in Blues. Popular blues singers such as Bessie Smith and Ma Rainey had a great deal of influence of jazz vocalists such as Billie Holiday. Other characteristics of vocal jazz such as scat singing came out of the New Orleans jazz tradition. Louis Armstrong's 1926 recording of "Heebie Jeebies" is often cited as the first modern song to employ scatting. This later evolved into the complex vocal improvisation of the bop era that was adopted by Anita O'Day, Sarah Vaughan, Betty Carter, and Dizzy Gillespie. The Boswell Sisters were a vocal jazz trio originating from New Orleans that help popularize vocal jazz music among the general American public during the 1930s.

Repertoire of vocal jazz typically includes the music of the Great American Songbook, however contemporary popular music is now often arranged for vocal jazz ensembles in addition to original music. Such arrangements/original music typically employ the harmonic language of jazz, improvisation, and rhythms derived from the syncretized music of West Africa, African-Americans, and European Art Music traditions. This includes swing music, as well as Latin jazz, jazz fusion, and rhythm and blues.

Technical characteristics of vocal jazz include diction based on vernacular rather than formal speech patterns. Legato and vibrato are also not constants in the articulation of vocal jazz. Vocal jazz often uses microphone amplification and singers are accompanied by a rhythm section (piano, bass, drums, and guitar) and sometimes vocal percussion.